MAY 2025
Entangled Legacies sits at the intersection of art, memory, and emerging technology, a sensory inquiry into how the past coils through the present, shaping identity, agency, and the quiet architecture of who we become.
Through interwoven organic structures and beams of neon pink, orange, and blue, the work reveals inheritance as an active, electric force: not a static archive, but a living system. These luminous coils evoke the complexity of personal and collective histories — the stories we absorb unconsciously, the emotional imprints we carry, and the patterns we are forever learning to unbind or reimagine.
Textures pulse, colours fracture, and light slips between illumination and rupture, mirroring the dualities embedded in every legacy: weight and offering, wound and resilience, memory and metamorphosis. As viewers move through the piece, they encounter a dynamic tension between holding on and letting go — a reminder that transformation often begins in the very places where histories are most densely coiled.
Positioned within a broader practice exploring the convergence of lived experience, social memory, and abstract expression, **Entangled Legacies** invites reflection rather than explanation. It is a moment of stillness within the rapid acceleration of technology — a reminder that even as we innovate, we are shaped by deep, ancestral currents that hum beneath the surface.
Presented as part of Refractions: Perspectives Across Time, at Good Hotel London, and supported by The Shapes UK
AUGUST 2025
Merging art, science, and sensory design, Resonant Morphologies, an immersive experience exploring the invisible architectures of energy through suspended digital sculptures, light, and resonance. Inspired by the forms of nature, the curve of a shell, the branching of a tree, the rhythm of a heartbeat, the project asked: how do unseen frequencies give rise to living form, and how might we experience them directly through art?
Two areas of research shaped the design. Cymatics reveals how sound organises matter into hypnotic geometric patterns, while biofields explore the subtle energy surrounding and connecting living systems. In Resonant Morphologies, these ideas were translated into soft, glowing forms that pulse, breathe, and loop, not as literal representations, but as sensory encounters with invisible energy.
Presented in the historic Grade II listed 18th-century building at 1–2 Cornmarket, High Wycombe, Buckinghamshire, this one-day installation debuted during Bucks Open Weekend. The project was generously supported by Bucks Culture, Buckinghamshire Council, and the Rothschild Foundation.
SEPTEMBER 2025
Lumen Bloom: Epitaph of the Cloud Age, an immersive art experience blending art, philosophy, and digital poetics, is a posthuman requiem in bloom, a poetic warning dressed in petals. The work mourns the fading era of digital transcendence, when humanity uploaded its memories and desires into the cloud, only to be scattered into code.
At its centre stands a synthetic flower, neither fully alive nor entirely artificial, blooming in the ruins of virtual architectures. This hybrid form becomes a symbol of endurance and loss, holding space for what the data age could not preserve: emotion, decay, and presence.
Rooted in posthuman theory and floral symbolism, Epitaph for the Cloud Age imagines a world where nature reclaims the digital and silence speaks louder than signal.
Presented throughout September at the Queens Park Arts Centre in Aylesbury, a historic Edwardian building dating back to 1905, Lumen Bloom: Epitaph for the Cloud Age emerged through the kind facilitation of Bucks Culture and the support of Queens Park Arts Centre.